Toby Was A Sad Dog!

Illustration:  Toby, Mr. Punch’s Dog.  Our Dear Dogs.  Father Tuck’s Happy Hour Series.  Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.  Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

Toby, Mr. Punch’s Dog.

This also is not one of our dogs. He belongs to a Punch and Judy man, but we made his acquaintance last summer at the seaside. Pat and he became very friendly, so we saw more of Toby than we should have done otherwise.

Toby was a sad dog. He always looked unhappy, which was rather against him in his profession, for it was his business to amuse people. At the same time he worked hard, and bit Mr. Punch’s nose at the right moment, and after that he collected money in a little tin which he held in his mouth, and he never forgot to wag his tail by way of saying “thank you.”

He was still more sad when we were leaving, but we hope to see him next summer, so as to cheer him up a little. Needless to say, we never hear from him; after all, he is not the same class as our dogs.

Our Dear Dogs.

Father Tuck’s Happy Hour Series.

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

My Dog Spinning All Dressed Up!

Illustration:  She went to the sempstress  To buy him some linen,  But when she came back,  The Dog was a-spinning.  Mother Hubbard  Illustrations by Walter Crane  John Lane & The Bodley Head: London & New York. Ca 1910.

She went to the sempstress

To buy him some linen,

But when she came back,

The Dog was a-spinning.

.

She went to the hosier’s

To buy him some hose,

But when she came back,

He was drest in his clothes.

.

She went to the sempstress

To buy him some linen,

But when she came back,

The Dog was a-spinning.

.

Mother Hubbard

Illustrations by Walter Crane

John Lane & The Bodley Head: London & New York. Ca 1910.

A Very Superior Dog!

Illustration:  “Dash, the Dachshund.”  Our Dear Dogs.  Father Tuck’s Happy Hour Series.  Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.  Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

“Dash, the Dachshund.”

This is not our dog, he belongs to a friend of ours and often comes to see us. He is quite at home at our place and is very friendly with our dogs.

Dash is a very polite and gentlemanly creature, his coat is sleek and shiny and is always beautifully clean, and he hates the wet and mud, and is most careful where he walks. Altogether he is a very superior dog.

 

Our Dear Dogs.

Father Tuck’s Happy Hour Series.

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

Story Time For Goats!

Illustration:  ON THE ISLAND.  Prattles For Our Boys and Girls.  Hurst & Co.: New York. 1912.

ON THE ISLAND.

. . . Old Janet settled herself a little further off, winking and blinking at thought of the pleasure at hand.  For at these times Nellie told them stories; and if you think they did not understand, I can only say that it was Nellie’e belief that her goats understood every word.


From the story “Nellie Ogg And Her Goats.”

Prattles For Our Boys and Girls.

Hurst & Co.: New York. 1912.

Three Cats!

Illustration:  THE KITTENS  “We are waiting for the Fish, Cook!”  Funny Stories About Funny People.  Illustrations by J. G. Francis, J. C. Shepherd, F. J. Merrill, Palmer Cox, George F. Barnes and Others.  National Publishing Company: Philadelphia. Ca 1905.

THE KITTENS

“We are waiting for the Fish, Cook!”

Funny Stories About Funny People.

Illustrations by J. G. Francis, J. C. Shepherd, F. J. Merrill, Palmer Cox, George F. Barnes and Others.

National Publishing Company: Philadelphia. Ca 1905.

 

Dame Trot Loved Her Cat!

Illustration:  Dame Trot.  A Book of Nursery Rhymes.  Arranged by Charles Welsh.  Illustrated by Clara E. Atwood.  D. C. Heath & Co., Publishers: Boston, New York, Chicago. Ca 1901.

Dame Trot and her cat

Led a peaceable life,

When they were not troubled

With other folks’ strife.

When Dame had her dinner

Near Pussy would wait,

And was sure to receive

A nice piece from her plate.

A Book of Nursery Rhymes.

Arranged by Charles Welsh.

Illustrated by Clara E. Atwood.

D. C. Heath & Co., Publishers: Boston, New York, Chicago. Ca 1901.

A Dog’s Life!

Illustration:  OUR FRIEND THE DOG.  By Maurice Maeterlinck.  Illustrated by Cecil Alden.  Dodd, Mead & Company: New York. 1913.

We now, to return to Pelleas, know pretty well what to do and how to behave on the master’s premises. But the world does not end at the house-door, and, beyond the walls and beyond the hedge, there is a universe of which one has not the custody, where one is no longer at home, where relations are changed. How are we to stand in the street, in the fields, in the market-place, in the shops? In consequence of difficult and delicate observations, we understand that we must take no notice of passers-by; obey no calls but the master’s; be polite, with indifference, to strangers who pet us. Next, we must conscientiously fulfill certain obligations of mysterious courtesy toward our brothers the other dogs; respect chickens and ducks; not appear to remark the cakes at the pastry-cook’s, which spread themselves insolently within reach of the tongue; show to the cats, who, on the steps of the houses, provoke us by hideous grimaces, a silent contempt, but one that will not forget; and remember that it is lawful and even commendable to chase and strangle mice, rats, wild rabbits and, generally speaking, all animals (we learn to know them by secret marks) that have not yet made their peace with mankind.

All this and so much more! . . . Was it surprising that Pelleas often appeared pensive in the face of those numberless problems, and that his humble and gentle look was often so profound and grave, laden with cares and full of unreadable questions?

Alas, he did not have time to finish the long and heavy task which nature lays upon the instinct that rises in order to approach a brighter region. . . An ill of a mysterious character, which seems specially to punish the only animal that succeeds in leaving the circle in which it is born; an indefinite ill that carries off hundreds of intelligent little dogs, came and put an end to the destiny and happy education of Pelleas. And now all those efforts to achieve a little more light; all that ardour in loving, that courage in understanding; all that affectionate gaiety and innocent fawning; all those kind and devoted looks, which turned to man to ask for his assistance against unjust death; all those flickering gleams which came from the profound abyss of a world that is no longer ours; all those nearly human little habits lie sadly in the cold ground, under a flowering elder-tree, in a corner of the garden.

Illustration:  OUR FRIEND THE DOG.  By Maurice Maeterlinck.  Illustrated by Cecil Alden.  Dodd, Mead & Company: New York. 1913.

OUR FRIEND THE DOG.

By Maurice Maeterlinck.

Illustrated by Cecil Alden.

Dodd, Mead & Company: New York. 1913.

Foul Friend, Pony, Guard Dog!

Illustration:  Saint Bernard.  Our Dear Dogs.  Father Tuck’s Happy Hour Series.  Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.  Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

“The St. Bernard’s Visitors.”

Rex is what you might call a noble dog. He is very good natured, he looks after the weak, . .  Rex allows the fowls to feed out of his dish, and they are not a bit afraid of him.

Then this big dog will let our baby ride on his back, you have to hold her on, you know, or she would tumble off, and that would never do.

Rex can be cross if he likes, and when tramps come into our garden, he barks and growls, so that they walk off in very quick time.

 

Our Dear Dogs.

Father Tuck’s Happy Hour Series.

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

 

 

Puffy’s Doctor & The Dog Thief!

Illustration:  Puffy With Doctor & Dog Thief.  The Three Bears’ Picture Book.  Illustrated by Walter Crane.  George Routledge and Sons: London & New York.

But once the little thing fell off a chair,

And put his shoulder out with that sad tumble;

The doctor set and bound it up with care,

While Puffy looked so very wan and humble.

 

One day he ran out in the street to play

With little friends (his Missis, who will warn her!)

He strays too far, – at last is borne away

By a bad man who lived just round the corner.

To his poor Missis none can comfort say,

Her grief by sighs and tears so plainly marking:

When he’d been gone a twelvemonth and a day,

Outside the door was heard familiar barking.

Illustration:  Puffy With Doctor & Dog Thief.  The Three Bears’ Picture Book.  Illustrated by Walter Crane.  George Routledge and Sons: London & New York.

The Three Bears’ Picture Book.

Illustrated by Walter Crane.

George Routledge and Sons: London & New York.

 

 

A Dog And A Cat!

Illustration:  Teasing Cats.  Our Dear Dogs.  Father Tuck’s Happy Hour Series.  Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.  Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

Delights In Teasing Cats.

Our Dear Dogs.

Father Tuck’s Happy Hour Series.

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

 

Cruel Secrets of Death.

Illustration:  Bulldog Puppy.  OUR FRIEND THE DOG  By Maurice Maeterlinck.  Illustrated by Cecil Alden.  Dodd, Mead & Company: New York. 1913.

I have lost, within these last few days, a little bull-dog.

He had just completed the sixth month of his brief existence. He had no history. His intelligent eyes opened to look out upon the world, to love mankind, then closed again on the cruel secrets of death.

Illustration:  Bulldog Puppy.  OUR FRIEND THE DOG  By Maurice Maeterlinck.  Illustrated by Cecil Alden.  Dodd, Mead & Company: New York. 1913.

OUR FRIEND THE DOG

By Maurice Maeterlinck.

Illustrated by Cecil Aldin.

Dodd, Mead & Company: New York. 1913.

 

Ride Away on Your Mother’s Back! (version one)

Illustration:  Ride Away.  Mother Goose Volland Popular Edition.  Edited by Eulalie Osgood Grover.  Illustrated by Frederick Richardson.  Published by P. F. Volland Company: New York, Chicago & Toronto. 1921.

Ride away, ride away,

Johnny shall ride,

And he shall have pussy-cat

Tied to one side;

And he shall have little dog

Tied to the other,

And Johnny shall ride

To see his grandmother.

Illustration:  Ride Away.  Mother Goose Volland Popular Edition.  Edited by Eulalie Osgood Grover.  Illustrated by Frederick Richardson.  Published by P. F. Volland Company: New York, Chicago & Toronto. 1921.

Mother Goose Volland Popular Edition.

Edited by Eulalie Osgood Grover.

Illustrated by Frederick Richardson.

Published by P. F. Volland Company: New York, Chicago & Toronto. 1921.

 

 

Puffy a Pretty Puppy!

Illustration:  Puffy.  The Three Bears’ Picture Book.  Illustrated by Walter Crane.  George Routledge and Sons: London & New York.

PUFFY

About a pretty dog I have to tell, –

A Maltese dog, so curly, white, and fluffy;

His nose was pinker than a pink sea-shell,

His eyes were also pink, – his name was PUFFY.

When he was six weeks old, quite small and scared,

He came unto the house of his new Missis:

His teeth were sharp, he bit so hard,

She cried, “Oh what a charming doggie this is!”

When Puffy slept he rolled himself up tight,

And looked just like a little worsted bundle;

He used a large round stool to roll and bite,

Which on the floor his Missis used to trundle.

 

The Three Bears’ Picture Book.

Illustrated by Walter Crane.

George Routledge and Sons: London & New York.

 

Collie From Scotland!

Illustration:  Collie.  Our Dear Dogs.  Father Tuck’s Happy Hour Series.  Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.  Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

“Scott, the Collie.”

 Now we come to a very different sort of dog. Scott came from Scotland last January, and is a handsome, princely dog. He comes of a very good family and has a pedigree a yard long, which means that he can tell you who his ancestors were for years and years.

Although he is very proud he is not above making himself useful, and in the picture you see him carrying a basket of apples. Indeed, he is very fond of carrying something, when out for a walk, such as a stick or an umbrella.

Our Dear Dogs.

Father Tuck’s Happy Hour Series.

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

To the cat we are large uneatable prey!

Illustration from Our Friend The Dog With CatEdit

. . . I do not speak of the cat, to whom we are nothing more than a too large and uneatable prey: the ferocious cat, whose sidelong contempt tolerates us only as encumbering parasites in our own homes.