Puppy – A Bone As Big As Himself!

Illustration:  Our Dear Dogs  Father Tuck’s Happy Hour Series  Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.  Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

“Ethel’s Puppy”

Now, what do you think of Cousin Ethel’s little foxterrier. From the very moment that his eyes opened and he could waddle about, he was in trouble, and that has continued ever since. His name is Scamp, which suits him very well, and he is four months old next Thursday.

Last Monday he distinguished himself by stealing a bone nearly as big as himself. Cook had something to say to this, and Scamp still feels very sore, but he is friendly with Cook all the same: he thinks it best to keep in with her.

Our Dear Dogs

Father Tuck’s Happy Hour Series

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

Jack and Jill

Jack-&-Jill-Animal-Antics-SQ

“Jack and Jill”

“Yes, here we are. Two tiny bears. The stony hill we scale,

To bring you water from the top within a wooden pail.”

But, crash! And Jack was on his head – water in the sky,

And when he found his Jill again, they sadly said, “Good-bye.”

Illustration:  Jack and Jill. Animal Antics.  By Louis Wain.  S. W. Partridge & Co: London. Ca 1900-1910.

Animal Antics.

By Louis Wain.

S. W. Partridge & Co: London. Ca 1900-1910.

Terrible Creatures!

Illustration:  John, the Bull-Dog Puppy.  Our Dear Dogs  Father Tuck’s Happy Hour Series  Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.  Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

“John, the Bull-Dog Puppy.”

John belongs to my brother. He is not beautiful but is kind-hearted and good-tempered. My brother says bull-dogs are not half so bad as they look, which I think is a good thing, for some of them look terrible creatures, and I always feel inclined to cross over the way when I see one coming.

 

Our Dear Dogs

Father Tuck’s Happy Hour Series

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

 

 

The Careless Bear Barber!

Illustration:  "The Careless Barber."  Animal Antics  By Louis Wain.  S. W. Partridge & Co: London. Ca 1900-1910.

“The Careless Barber.”

“I’ll have it short upon the top,” cried little Master Bear,

“But please leave the curly bits and cut the rest with care.”

“I will,” replied the Barber, “for I hardly need say,

My customers are treated in a very careful way.”

But even while he spoke the words, the scissors moved an inch,

And gave the ear of Master Bear a very painful pinch.

His father heard the cry of woe, and turned, his fears to hush,

When down his throat that careless boy let slip the soapy brush.

Animal Antics

By Louis Wain.

S. W. Partridge & Co: London. Ca 1900-1910.

We Won’t Let Him Mix With the Other Dog!

Illustration: Our Dear Dogs Father Tuck’s Happy Hour Series Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony. Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

Jim, the Foxterrier.  “Tubbing Time.”

Jim is very young. He belongs to the coachman’s son. He is a careless dog and never looks where he is going. If there is a mud puddle about, he is sure to fall into it. If there is a sack of coal in the yard, Jim is sure to rub against it, so Jim is usually very dirty, and as we won’t let him mix with the other dogs unless he is clean, he has to be washed every other day, which makes him very sorrowful.

Our Dear Dogs

Father Tuck’s Happy Hour Series

Raphael Tuck & Sons, Ltd.: London-Paris-Berlin-New York-Montreal. Printed in the Fine Art Works in Saxony.

Publishers to Their Majesties The King & Queen, & Her Majesty Queen Alexandra. Ca 1910.

Blustering March Begins!

 

Illustration:  A Year With the Fairies.  Illustrator M. T. (Penny) Ross.  Author:  Anna M. Scott.   Illustrations M. T. Ross.  Published by P. F. Volland & Co.  Chicago, U.S.A.  1914.

Cold blustering March is a surly young fellow,

But his face so forbidding and gloomy will mellow;

Though at first with his howls he makes every one shiver,

With warmth and delight he will soon be a-quiver.

For a sweet little lady is trailing his way,

And in spite of himself he is happy and gay;

Attended with sunshine and zephyrs and birds,

She is winning him over with soft, gentle words.

A Year With the Fairies. 

Illustrator:  M. T. (Penny) Ross.

Author:  Anna M. Scott.

Publisher:  P. F. Volland & Co.:  Chicago, U.S.A..  1914.

Illustration:  A Year With the Fairies.  Illustrator M. T. (Penny) Ross.  Author:  Anna M. Scott.   Illustrations M. T. Ross.  Published by P. F. Volland & Co.  Chicago, U.S.A.  1914.

1905 – Twin Boys In A Cage!

Illustration:  Little Bo-Peep and Other Good Stories.  Henry Altemus Company: Philadelphia.  1905.

“BETTY’S GREAT HUMAN MENAGERIE”

When the Fairchild family went South to live, they engaged an old colored woman to cook for them. When she came, she brought with her little twin grandchildren, Pete and Abram. Betty Fairchild had not seen very many colored babies in her life, and she went quite wild with delight over these.

“Oh!” she said, “I wish I could keep them for my own, forever and always.”

But the trouble was that Pete and Abram did not want to be kept; they liked the little cabin where they had lived before better than Mr. Fairchild’s big house, and every morning they ran away, and their poor grandmother had to stop her work to run after them. Betty complained about it bitterly.

Little Bo-Peep And Other Good Stories

Illustration by Moser.

Henry Altemus Company: Philadelphia. 1905.

A Flying Fried Egg!

Illustration:   Billy Bounce By W. W. Denslow and Dudley A Bragdon. Pictures by Denslow. G. W. Dillingham Co. Publishers:  New York.  1906.

“Why it is, a large fried egg,” said Billy, excitedly.”

Billy Bounce.

By W. W. Denslow and Dudley A Bragdon.

Pictures by Denslow.

G. W. Dillingham Co. Publishers: New York. 1906.

Illustration:  Billy Bounce  by W. W. Denslow and Dudley A Bragdon.  Pictures by Denslow.  G. W. Dillingham Co. Publishers: New York. 1906.

“Why it is, a large fried egg,” said Billy, excitedly.”

The Queer Little Man Dropped the Baby With a Bump!

Illustration: Queer Little Man Takes Baby from Rumpel-Stilt-Skin in Once Upon a Time.

At the birth of her first child the Queen was overjoyed. She had quite forgotten the queer little man, when one day he slipped into her chamber and said: “Where is the child you promised me?”

Then she was in sore distress. In vain she offered him all the treasures of the kingdom. But as the queer little man tucked the royal baby snugly under his arm, she gave such a cry that his odd little heart, like a dry currant, softened and he said: “I will give you three days to guess my name. If you can do it, you may keep the child.” And he dropped the baby with a bump back into the cradle.

From the Story: RUMPEL-STILT-SKIN, OR TOM TIT TOT.

ONCE UPON A TIME – A BOOK OF OLD-TIME FAIRY TALES.

Edited by Katharine Lee Bates.

Illustrated by Margaret Evans Price.

Rand McNally & Company: Chicago & New York. 1921.

Billy is not a Stink Pot – Polly Attacked!

Illustration from Billy Whiskers in the Movies
“Billy was hoping he could swing the cage so far it would turn upside down and spill Miss. Polly out.”
Billy Whiskers in the Movies.
By Frances Trego Montgomery.
Illustrated by Paul Hawthorne.
The Saafield Publishing Company: Akron, Ohio and New York. 1921.

“Polly, seeing she was safe, began to screech again, but only got as far as ‘Stink p-o-t!’ When with a bound Billy was after her again, and this time as he ran he gave a jump and bounded up high enough to knock the cage off its hook . . .”

Miss. Mouse’s Music Lesson

Illustration:  Music Lesson.  Animal Antics
Music Lesson
Animal Antics
S. W. Partridge & Co.: London. Ca 1906-1910.

Miss. Mouse is learning music, but she always plays with fear,

Although her brother, as you see, is bravely sitting near.

For at her elbow sits the teacher, Mr. Roar,

Who growls to hear her miss a note, which makes her stumble more.

Oh, when I choose my teacher, he shall have a gentle way,

For if I’m made to tremble, I shall never learn to play.

Circe’s Palace – Bad party behavior?

Illustration by Milo Winters, Tanglewood Tales, Circe's Palace
“It looked so intolerably absurd to see hogs on cushioned thrones.”
Circe’s Palace
Tanglewood Tales
Nathaniel Hawthorne
Illustrated By: Milo Winter
Rand McNally & Company: Chicago & New York. 1913

Whatever little fault they might find with the dishes, they sat at dinner a prodigiously long while; and it would really have made you ashamed to see how they swilled down the liquor and gobbled up the food. They sat on golden thrones, to be sure; but they behaved like pigs in a sty; and, if they had had their wits about them, they might have guessed that this was the opinion of their beautiful hostess and her maidens. It brings a blush to my face to rekcon up, in my own mind, what mountains of meat and pudding, and what gallons of wine, these two and twenty guzzlers and gormandizers ate and drank. They forgot all about their homes, and their wives and children, and all about Ulysses, and everything else, except this banquet, at which they wanted to keep feasting forever. But at length they began to give over, from mere incapacity to hold any more.

“That last bit of fat is too much for me,” said one.

“And I have not room for another morsel,” said his next neighbor, heaving a sigh. “What a pity! My appetite is as sharp as ever.”

In short, they all left off eating, and leaned back on their thrones, with such a stupid and helpless aspect as made them ridiculous to behold. When their hostess saw this, she laughed aloud; so did her four damsels; so did the two and twenty serving men that bore dishes, and their two and twenty fellows who poured out the wine. And the louder they laughed, the more stupid and helpless did the two and twenty gormandizers look. Then the beautiful woman took her stand in the middle of the saloon, and stretching out a slender rod (it had been all the while in her hand, although they never noticed it till this moment), she turned it from one guest to another, until each had felt it pointed at himself. Beautiful as her face was, and though there was a smile on it, it looked just as wicked and mischievous as the ugliest serpent that ever was seen; and fat-witted as the voyagers had made themselves, they began to suspect that they had fallen into the power of an evil-minded enchantress.

“Wretches,” cried she, “you have abused a lady’s hospitality; and in this princely saloon your behavior has been suited to a hog-pen. You are already swine in everything but human form, which you disgrace, and which I myself should be ashamed to keep a moment longer, were you to share it with me. But it will require only the slightest exercise of magic to make the exterior conform to the hoggish disposition. Assume your proper shapes, gormandizers, and be gone to the sty!”

Uttering these last words, she waved her wand; and stamping her foot imperiously, each of the guests was struck aghast at beholding, instead of his comrades in human shape, one and twenty hogs sitting on the same number of golden thrones. Each man (as he still supposed himself to be) essayed to give a cry of surprise, but found that he could merely grunt, and that, in a word, he was just such another beast as his companions. It looked so intolerably absurd to see hogs on cushioned thrones, that they made haste to wallow down upon all fours, like other swine. They tried to groan and beg for mercy, but forthwith emitted the most awful grunting and squealing that ever came out of swinish throats. They would have wrung their hands in despair, but, attempting to do so, grew all the more desperate for seeing themselves squatted on their hams, and pawing the air with their fore trotters. Dear me!  What pendulous ears they had! What little red eyes, half buried in fat! And what long snouts instead of Grecian noses!

But brutes as they certainly were, they yet had enough human nature in them to be shocked at their own hideousness; and still intending to groan, they uttered a viler grunt and squeal than before. So harsh and ear-piercing it was, that you would have fancied a butcher was sticking his knife into each of their throats, or, at the very least, that somebody was pulling every hog by his funny little twist of a tail.

“Be gone to your sty!” cried the enchantress, giving them some smart stokes with her wand . . .

The Little Mermaid

Illustration:  Little Mermaid from Hans Andersen's Fairy Tales.
The Little Mermaid
Hans Andersen’s Fairy Tales. By William Woodburn. Illustrated by Gordon Robinson.
W. & R. Chambers, Limited: London & Edinburgh. 1917.

‘Your beautiful form,’ replied the witch, ‘your graceful movements, and speaking eyes. With such as these, it will be easy to win a vain human heart. Well, now, have you lost courage? Put out your little tongue, that I may cut it off, and take it for myself, in return for my magic drink.’